Shravanabelagola, a world-renowned Jain pilgrimage center — is adorned with sacred Kalpavriksha (wish-fulfilling trees). This holy site is sanctified by the presence of the final Shrutakevali (omniscient teacher) of Jainism, Acharya Shri Bhadrabahu Swami, and the Mauryan emperor Chandragupta, who attained samadhi here after renouncing worldly life.
The hill of Chandragiri, was known until the early 10th century as Katavupura Giri or Kalavappu, and served as a spiritual center for monks and ascetics.
The great general and chief minister Chavundaraya under Ganga dynasty, fulfilling the wish of his mother Kalaladevi, under the blessings and guidance of the spiritual leader Acharya Nemichandra Siddhanta Chakravarti, commissioned the grand statue of Gommateshwara (Bahubali).
This site, home to 40 Jain temples, holds the highest number of stone inscriptions (573) in Karnataka, including the earliest Marathi inscription, various Nishidhi mandapas (memorials) and sacred Kalyanis (tanks).
Shravanabelagola, beautifully adorned and historically rich for over 2300 years, was known in ancient times by several names such as Kalavappa, Katavapra, Jain Bhadripura, Pargalvappu, Dhavalateertha and Belgola. For nearly 2500 years, this place has remained a prominent and uninterrupted center of Digambara Jainism.
3rd Century B.C.
Acharya Bhadrabahu and Chandragupta Maurya
Jain tradition associates Shravanabelagola with Acharya Bhadrabahu and
Chandragupta Maurya, linking the place to ideals of renunciation, discipline,
and spiritual retreat.
10th Century
Chavundaraya and the Bahubali Image
The great Gommateshwara Bahubali statue is traditionally connected with
Chavundaraya, whose patronage helped make the hill a landmark of Jain devotion.
Royal Patronage
Ganga, Hoysala, and Mysore-era Support
Successive patrons, administrators, and donors supported temples, inscriptions,
festivals, and facilities that kept the sacred landscape active across centuries.
Living Pilgrimage
Munis, Scholars, Devotees, and Visitors
Monks, teachers, researchers, artists, families, and international visitors
continue to come for prayer, study, ceremony, and an encounter with Jain heritage.